Selected quad for the lemma: life_n
Text snippets containing the quad
ID |
Title |
Author |
Corrected Date of Publication (TCP Date of Publication) |
STC |
Words |
Pages |
A35068
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Pierides, or, The muses mount by Hugh Crompton, Gent.
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Crompton, Hugh, fl. 1657.
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1658
(1658)
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Wing C7028; ESTC R933
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48,646
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160
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mixt and blended With this and that receit ât's first decayed and then amended From such I must retreat Heavens Nectar I incline bright Apollo's rasie Wine 66. The Air 1. sweet sounds that issue from the Quire Of wing'd Musicians or the Thracian Lyre Be dumb repose your Knells You warbling shrill-mouth'd Philomels Your tones extort my tears Your musick seems unto my ears ãâã Vrsus to the eye appears 2. âuses whose charms are Musket-proof â passive power you may stand aloof Whose active charms can draw Waters from mountains and unthaw A flinty breast you be Of no more value unto me Then Butter flies to Broom-men be 3. Sing to the woods and silver'd brooks I neither like your Sonnets nor your looks Court fools as may affect Your dissonanting dialect My Lute 's more clear and choice Wherein I only can rejoice It is Rosella's heavenly voice 67. Time The Interpreter WHat serious students with their busied bâ Could ne're unlock what Philosophick pâ Tri'd and fell short of what strong art ne're â What was a theme too hard for th' Alchymist What mighty Merlin in his operation Fore sight Prediction and prognostication Could not unroll Time has now detected Yet still he is dispes'd and dis-respected There 's no man crowns him with a wreath of pâ Compos'd of Lawrel triumph though his waies Are rules of truth while error boldly draws Worlds of applause to her insatiate claws Infected Animals how are ye blinded With misty judgements how intic't and winded With strange belief how nimble and how proââ To build on rottenness Rely upon Deluding Motives making declination From the firm Basis of true revelation âge your opinions you unbridled youths â time not Artists will declare our truths 68. Knowledge THrough the Meander of invented art â I 've deeply waded and unthaw'd the Ice â knotty contexts as a âteely Dart âere's through mysteries dark obscure and nice âr Cypria's function was made known to me âe with her daughters been too well acquainted âe known Romes stages and her gallantry â pastimes Paradise I have been planted ãâã was my senses oyl'd with such content ât that displeasure also had its growth ânow what 't was to laugh and to lament âpell'd the nature and the use of both âpur'd my genius on my Muse I put â to the Labyrinth of as deep conclusion â sense and reason knew I hew'd and cut âe doors of darkness down and made intrusion â was acquainted with the starry realm ãâã others be yet here my knowledge lack't â knew not him that sitteth at the helm ãâã whose discretion all the Planets act âherefore thou root of nature and of art â Since void of knowing thee makes knowledg void âfuse no other Science in my heart âhen of my self and thee my glorious guide 69. The Vineyard 1. ENter you that save with madness Enter you that sigh with sadness And receive the oyl of gladness In the Vine 2. Here 's the mystery of the Muses Here 's the Font Maââas uses Here wit gains what ere it loses Noble Wine 3. Here 's the Laurel here 's the Bayes Here 's the sum of Poets praise Heare 's the creaâ of Paâs rayes Samous liquor 4. Here 's th' Arseââ whence do spring Presents worthy for a King Here my sâneies tender wing Thriveth quicker 70. The Quere SAy shall I love or shall I leave her Shall I leave or love for ever âll I part with my profession â proceed in my progression Eccâo ãâã back suspend thy love for ever âl home thy heart again and leave her âo much of one sort breeds lothing âkes the object fit for nothing âyls the fancy spoils the sense âns delight to penitence âcially in those that summon âeir wits to attend a woman âen refuse fall off and leave her ãâã thou lose thy bliss for ever âing once engag'd thy credit ân may curse that ere you did it ãâã if beauty moved thee â adventure that may flee âen that face which once was fire âcalcine shall now expire â Lamps of Zealots and shall choke ây own sense with thy own smoke âd you 'l feel in such a case âch disease or much disgrace âou go your credits lost âou stay you will be crost ãâã how dismal is 't for he ãâã whose love formalitie âps or the affection where ãâã wells not for love but fear âen return return and leave her Lest thou art a fool for ever What avails thy wanton courting Kissing clipping hugging sporting Smiling beckning musing glancing Winding tripping footing dancing Chopping changing mingling words All the joy that love affords What art thou for this the better Only thou art made a debtor For 't Although thy Mistress swims Over the glorious Cherubims In thy fancy she 'l not scorn To salute thee with a horn For thy requital Such there be Then love not such vanity O return return and leave her Else I 'le say th' art mad for ever He 's a fool that loves to be Vassal'd when he may be free 71. The life and death of Sarah SArah liv'd and Sarah lov'd Sarah thriv'd and Sarah mov'd Sarah sat and Sarah slept Sarah wak't and Sarah wept Sarah sob'd and Sarah smil'd Sarah was begot with child Sarah sigh't and Sarah song And Sarah could not hold her tongue Sarah pist and Sarah cri'd Sarah shit and so she di'd 72. The Messenger LOve commands his servant out To the woods to range about For a Mistress for his Master Cause he wanted such a plaister As a Lady Out he gots Through the woods streams verse and prose One he found and then return'd To the man that sight and burn'd Expectation did advance And hope had the predominance Love repli'd to th' Agent then Dost thou gladly turn agen Art thou fraited with my blâss Then he answers Master yes But what hast thou prepar'd for me Is she coy or is she free Is she tall or is she low Is she slender lean or no Is she square or is she round Is she sick or is she sound Do the Gods confess their duty Is to worship such a beauty Is but Venus scarce her type Is she green or too too ripe Is she foul or is she fair Is she not at others are Is she white or is she black Or what i' st that she doth lack Answer I have prepar'd for thee enough She 's coy enough add free enough She 's Low enough and tall enough She 's big enough and small enough She 's fat enough and lean enough She 's rich enough and mean enough She 's young enough and strong enough She 's short enough and long enough She 's sick enough and sound enough She 's square enough and round enough She 's black enough and white enough She 's foul enough and bright enough She 's thin enough and quick enough And she will soon be thick enough If you can give her P enough 72. The Mask of Adonis WHen all the night Ravens Bats of the ãâã