Selected quad for the lemma: life_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
life_n	beget_v	love_v	sarah_n	51	3	15.9601	5	false

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A35068	Pierides, or, The muses mount by Hugh Crompton, Gent.	Crompton, Hugh, fl. 1657.	1658 (1658)	Wing C7028; ESTC R933	48,646	160

mixt and blended With this and that receit ●t's first decayed and then amended From such I must retreat Heavens Nectar I incline bright Apollo's rasie Wine 66. The Air 1. sweet sounds that issue from the Quire Of wing'd Musicians or the Thracian Lyre Be dumb repose your Knells You warbling shrill-mouth'd Philomels Your tones extort my tears Your musick seems unto my ears 〈◊〉 Vrsus to the eye appears 2. ●uses whose charms are Musket-proof ● passive power you may stand aloof Whose active charms can draw Waters from mountains and unthaw A flinty breast you be Of no more value unto me Then Butter flies to Broom-men be 3. Sing to the woods and silver'd brooks I neither like your Sonnets nor your looks Court fools as may affect Your dissonanting dialect My Lute 's more clear and choice Wherein I only can rejoice It is Rosella's heavenly voice 67. Time The Interpreter WHat serious students with their busied b● Could ne're unlock what Philosophick p● Tri'd and fell short of what strong art ne're ● What was a theme too hard for th' Alchymist What mighty Merlin in his operation Fore sight Prediction and prognostication Could not unroll Time has now detected Yet still he is dispes'd and dis-respected There 's no man crowns him with a wreath of p● Compos'd of Lawrel triumph though his waies Are rules of truth while error boldly draws Worlds of applause to her insatiate claws Infected Animals how are ye blinded With misty judgements how intic't and winded With strange belief how nimble and how pro●● To build on rottenness Rely upon Deluding Motives making declination From the firm Basis of true revelation ●ge your opinions you unbridled youths ● time not Artists will declare our truths 68. Knowledge THrough the Meander of invented art ● I 've deeply waded and unthaw'd the Ice ● knotty contexts as a ●teely Dart ●ere's through mysteries dark obscure and nice ●r Cypria's function was made known to me ●e with her daughters been too well acquainted ●e known Romes stages and her gallantry ● pastimes Paradise I have been planted 〈◊〉 was my senses oyl'd with such content ●t that displeasure also had its growth ●now what 't was to laugh and to lament ●pell'd the nature and the use of both ●pur'd my genius on my Muse I put ● to the Labyrinth of as deep conclusion ● sense and reason knew I hew'd and cut ●e doors of darkness down and made intrusion ● was acquainted with the starry realm 〈◊〉 others be yet here my knowledge lack't ● knew not him that sitteth at the helm 〈◊〉 whose discretion all the Planets act ●herefore thou root of nature and of art ● Since void of knowing thee makes knowledg void ●fuse no other Science in my heart ●hen of my self and thee my glorious guide 69. The Vineyard 1. ENter you that save with madness Enter you that sigh with sadness And receive the oyl of gladness In the Vine 2. Here 's the mystery of the Muses Here 's the Font Ma●●as uses Here wit gains what ere it loses Noble Wine 3. Here 's the Laurel here 's the Bayes Here 's the sum of Poets praise Heare 's the crea● of Pa●s rayes Samous liquor 4. Here 's th' Arse●● whence do spring Presents worthy for a King Here my s●neies tender wing Thriveth quicker 70. The Quere SAy shall I love or shall I leave her Shall I leave or love for ever ●ll I part with my profession ● proceed in my progression Ecc●o 〈◊〉 back suspend thy love for ever ●l home thy heart again and leave her ●o much of one sort breeds lothing ●kes the object fit for nothing ●yls the fancy spoils the sense ●ns delight to penitence ●cially in those that summon ●eir wits to attend a woman ●en refuse fall off and leave her 〈◊〉 thou lose thy bliss for ever ●ing once engag'd thy credit ●n may curse that ere you did it 〈◊〉 if beauty moved thee ● adventure that may flee ●en that face which once was fire ●calcine shall now expire ● Lamps of Zealots and shall choke ●y own sense with thy own smoke ●d you 'l feel in such a case ●ch disease or much disgrace ●ou go your credits lost ●ou stay you will be crost 〈◊〉 how dismal is 't for he 〈◊〉 whose love formalitie ●ps or the affection where 〈◊〉 wells not for love but fear ●en return return and leave her Lest thou art a fool for ever What avails thy wanton courting Kissing clipping hugging sporting Smiling beckning musing glancing Winding tripping footing dancing Chopping changing mingling words All the joy that love affords What art thou for this the better Only thou art made a debtor For 't Although thy Mistress swims Over the glorious Cherubims In thy fancy she 'l not scorn To salute thee with a horn For thy requital Such there be Then love not such vanity O return return and leave her Else I 'le say th' art mad for ever He 's a fool that loves to be Vassal'd when he may be free 71. The life and death of Sarah SArah liv'd and Sarah lov'd Sarah thriv'd and Sarah mov'd Sarah sat and Sarah slept Sarah wak't and Sarah wept Sarah sob'd and Sarah smil'd Sarah was begot with child Sarah sigh't and Sarah song And Sarah could not hold her tongue Sarah pist and Sarah cri'd Sarah shit and so she di'd 72. The Messenger LOve commands his servant out To the woods to range about For a Mistress for his Master Cause he wanted such a plaister As a Lady Out he gots Through the woods streams verse and prose One he found and then return'd To the man that sight and burn'd Expectation did advance And hope had the predominance Love repli'd to th' Agent then Dost thou gladly turn agen Art thou fraited with my bl●ss Then he answers Master yes But what hast thou prepar'd for me Is she coy or is she free Is she tall or is she low Is she slender lean or no Is she square or is she round Is she sick or is she sound Do the Gods confess their duty Is to worship such a beauty Is but Venus scarce her type Is she green or too too ripe Is she foul or is she fair Is she not at others are Is she white or is she black Or what i' st that she doth lack Answer I have prepar'd for thee enough She 's coy enough add free enough She 's Low enough and tall enough She 's big enough and small enough She 's fat enough and lean enough She 's rich enough and mean enough She 's young enough and strong enough She 's short enough and long enough She 's sick enough and sound enough She 's square enough and round enough She 's black enough and white enough She 's foul enough and bright enough She 's thin enough and quick enough And she will soon be thick enough If you can give her P enough 72. The Mask of Adonis WHen all the night Ravens Bats of the 〈◊〉