Queen MAy the God of Wit inâspire the Sacred Nine to bear a May the God of Wit inâspire the Sacred Nine to bear a May the God of Wit inâspire the Sacred Nine to bear a Part and the Blessed Heav'nly Quire shew the utâmost of their Art Part and the Blessed Heav'nly Quire shew the utâmost of their Art Part and the Blessed Heavn'ly Quire shew the utâmost of thei Art Whilst Eccho whilst Eccho shall in sounds remote repeat each Note Ecco repeat each Note Softer each Note Whilst Eccho whilst Eccho shall in sounds remote repeat each Note repeat each Note each Note Whilst Eccho whlst Eccho shall in sounds remote repeat each Note repeat each Note each Note Vers. whilst Eccho Ecco whilst Eccho Softer Eccho Vers whilst Eccho Ecco whilst Eccho Softer Eccho Vers. shall in sounds reâmote whilst Eccho whilst Eccho Eccho whilst Eccho whilst Eccho Eccho shall in sounds reâmote whilst Eccho whilst Eccho Eccho whilst Eccho whilst Eccho Eccho shall in sounds reâmote Ecco sounds reâmote Softer remote Vers. repeat each Note Ecco repeat each Note Softer each Note Vers. repeat each sounds reâmote remote repeat each Note repeat each Note each Note repeat each sounds remote remote repeat each Note repeat each Note each Note repeat each Ecco Softer Note Ecco reâpeat each Note Softer each Note Note reâpeat each Note each Note Note reâpeat each Note each Note A SONG in the 5th Act of the Fairy Queen Trumpet THus thus thus thus the Glooâmy World at first beâgan to Shine Thus thus thus thus the Glooâmy World at first began to Shine And from the Pow'âr Deâvine and from a Pow'âr Devine a glory rounâd a glory rounâd aâbout it burâl'd which made it bright which made it bright and gave it gavâe it birth in light which made it bright which made it bright and gave it gavâe it birth in light Violin Then then were all minds as pure as pure as those Eâtheârial streams In Inânocence seâcure In Inânocence seâcure not subâject to Extreams there was no place then no place then for empâty Fame no cause for Pride no cause for Pride Amâbiâtion wantâed Aim Amâbiâtion wanted Aim there was no place then no place then for empâty Fame no cause for Pride no cause for Pride Amâbiâtion wantâed Aim Amâbiâtion Trumpet wanted Aim Thus thus c. as before SOLO A single SONG YEs Daphne yes Daphne inâyour Face I find those Charmâs by which my Heart 's betray'd then let not your disdain unâbind the Pris'ner the Pris'ner that your Eyes have made She that in Love makes least defence wounâds câver with the suârest Dart Beauty may Capâtivate the Sense but Kindness but Kindâness only gains the Heart Heart II. 'T is mildness Daphne must maintain the Empire that you once have won When Beauty does like Tyrants reign Their Subjects from their Duty run Then force me not to be untrue Lest I compell'd by gen'rous shame Cast off my Loyalty to you To gain a glorious Rebel's name SOLO A single SONG HArk hark how all things in one sounâd reâjoyce reâjoyce reâjoyâce reâjoyâce reâjoyce Hark! âjoyce and the World seems to have one Voice the World seems to have one Voiâce to have one Voice Hark! hark how all things in one sounâd reâjoyce reâjoyce reâjoyâce reâce rejoyce rejoyâce reâjoyce SOLO A single SONG HArk hark the ecch'ing Air a triâumph sings hark the ecch'ing Air a triâumph sings a triâumph a triâumph triâumph singâs a triâumph triumph sings sings And all aâround and all aâround pleaâs'd Cupids clap their wings clap clap clap clap their wings pleas'âd Cupids clap their wings and all around and all around pleaâs'd Cupids clap clap clap clap clap their wings clap clap clap clap clap clap clap their wings pleaâs'd Cupids clap their wings and all aâwings A SONG for Two Voices in the Fairy Queen LEt the Fifes and the Clarions and shrill Trumpets sound let the Fifes and the Let the Fifes and the Clarions and shrill Trumpets Clarions and shrill Trumpets sound sound sound sound sound sound sound Let the Eises and the Clarions and shrill Trumpets sound sound sound sound sound sound And the Arch of high sound sound sound sound sound sound And the Arch of high Heav'n the Clangor reâsound Heav'n the Clangor resound and the Arch of high Heav'n the Clangor reâsounâd and the Arch of high Heav'n the Clangor resoundâd resounâd the Arch of high Heaven the resounâd the Arch of high Heaven the Clangor resound reâsounâd the Arch of high Clangor resound reâsounâd the Arch of high Heaven the Clangor resound Heaven the Clangor resound The Four SEASONS in the Fairy-Queen Spring Thus the ever grateâful Spring Thus the ever grateful Spring does her yearly Triâbute bring does her yearly Triâbute bring does her yearly Triâbute bring does her yearly Triâbute bring all your sweets before him lay all your sweets before him lay then round his Alâtar sing and play all all all all all all all your sweets before him lay then round his Alâtar sing and play then rounâd his Alâtar sing and play Thus the eâver grateful Spring does her yearly Triâbute bring does her yearly Triâbute bring does her yearly Tribute bring does her yearly Triâbute bring Summer Her 's the Summer Sprightly Gay Smiâling Wanton Fresh and Fair adorn'd with all the Flowr's of May whose various Sweets Persume the Air adorn'd with all the Flowr's of May Whose various Sweets Perâfume the Air. Autum See see my many couler'd Fields see see my many couler'd Fields and Loaded Trees my will oâbey âbey All the Fruit that Autumn yeilds all the Fruit that Auâtumn yields I ofâfer to the God of Daây all the Fruit that Autumn yields I ofâfer to the God of Day all the Fruit that Autum yeilds all the Fruit that Autum yeilds I Offer to the God of Day All the Fruit that Autum yeilds I Offer to the God of Day Winter Next Winter comes slawly pale meager and old thus trembling with Age and thus qui'veâring with cold benum'd with hard Frosts and with Snow cov'rd o're benumb'd with hard Frosts and with Snow cov'rd o're prayes the Sun to restore him pray's the Sun to reâstore him and sinâgs as beâfore SOLO in the late Queen's Birth-day Aâ Pril who till now who till now now now now now now now has mourn'd has mourn'd claps claps claps for joây his Sable Winâgs to see to see to see to see within his Orb return the choicest Blessings he cou'd bring Maria's Birthâday Maria's Birthâday Maria's Birthâday Maâriâ a's Birthâday and the Spring To see to see to see to see withâin his Orb reâturn the Choisest Blesâsings he cou'd bring Maria's Birthâday Maria's Birthâday Maria's Birthâday Mariâ a's Birthâday and the Spring A single SONG THe Faâtal Hour the Faâtal Hour comes on comes on aâpace which I had rather diâe than see for when Fate caâlls you from this place you go to cerâtain Miâsery you go to certain cerâtain Miâsery The thought does stab me to
1 s. 6 d. The last New Play called Heroick Love a Tragedy Acted at the New Theatre in Little Lincoln's-Inne Fields both written by the Honourable Geo-Greenvill Esq price 1. s. 6 d. The Second Part of the Dancing-Master to which is added a Sheet of 12 Dances beginning with a new Tune called Europe's Revells in all 48 New Dances price st 1 s. A General Catalogue of all the Choicest Musick-Books these 20 years also Rul'd Paper and Books rul'd of several sizes with Books on all other Subjects â There will be speedily publish'd a Second Edition of Mr. Lenton's last Three-Part Consort with an Additional Sheet for 2 Flutes and a Through Bass c. A Song in the Rival-Sisters CEâlia has a thousand thousand thouâsand Charmes 't is Heav'n 't is Heav'n to lye withâin her Armes while I stand gazing on her Face some new and some resistless grace fills with fresh Magick all the place while I stand gazing on her Face some new and some reâsistâless grace fills with fresh Magick aâll the place But while the Nymph I thus aâdore but while the Nymph I thus I thus aâdore I shou'd my wretched wretched wretched Fate deplore for oh Mirâtilâlo oh Mirâtilâlo have a care have a care her sweetness is aâbove compare but then she 's false she 's false but then she 's false she 's false as well as Fair have a care have a care have a care Mirâtilâlo have a care Mirâtilâlo have a care have a care have a care have a care A Song in Tyrannick Love or the Royal Martyr AH how sweet ah how sweet how sweet it is to Love Ah! ah ah how gay is young deâsire And what pleaâsing pain and what pleaâsing pain we prove when first when first we feel a Lovers fire pains of Love are sweetâter far then all all all all all all other pleasures are pains of Love are sweeâter far then all all all all other pleaâsures are are A Song on Mrs. Bracegirdle's Singing I Burn c. In the Second part of Don-Quixote WHilst I with grief did on you look whilst I with grief did on you look when Love had turân'd your Brain from you I I the conâtaâgion took from you I I the conâtaâgion took and for you for you borâe the pain for you for you borâe the pain Marâcelâla then your Loâver prize and be not be not be not too seâvere use well use well the conâquest of your Eyes for Pride Pride Pride has cost you dear Amâbroâsio treates your Flames with scorn and rackâs your tenâder mind withdraw your Smiles withdraw your Smileâs and Frowns reâturn and pay him pay him pay him in his kind and pay him pay him pay him in his kind IF Musick if Musick be the fooâd of Love Sing on sing on sing on sing on sing siâng on till I am fill'd with joây till I am fill'd with joy for then my listning Soul you moâ âve for then my listning Soul you moâve you move to pleaâsures that can never neâver cloy your Eyes your Meen your Tongue deâclare that you are Muâsick ev'âry where your Eyes your Meen your Tongue deâclare that you are Muâsick ev'âry where Pleasures inâvade both Eye and Ear pleasures invade both Eye and Ear so fierâce so fierâce the transports are they wouând so fierâce the transports are they wound and all my Senâses feasted are and all my Senâses feastâed are tho' yet the Treat is onâly Sound tho' yet the Treat is onâly Sound Sound Sound Sound Sound Sound is onâly Sound sure I must perish I must I must peârish by your Charms unless you saâve me in your Armes A Song in Timon of Athens THe Caâres the Carâes of Loâvers their Aâlarâmes their Sighs their Tears have pow'râfull Charms and if so sweet their Torâment is ye Gods ye Gods how Ravishâing ye Gods how Ravishâing how Ravishing the bliss so soft so genâtle so soft so genâtle is their pain 't is ev'n a pleaâsure to comâplain A Song in the Indian Emperor I Look'd I look'd and saw within the Book of Fate where maâny Days did Low'r when lo when lo one happy happy Hour leapt up leapt up and smil'd leapt up and smiâl'd to save thy sinâking State A Day shall come when in thy pow'r thy cruâel Foes shall be a Day shall come when in thy pow'r thy cruâel Foes shall be then shall the Land be free and thou in Peace and thou in Peaâce shalt Reign but take Oh! oh take that opâportuâniâty which once reâfus'd will never never never come aâgain will never never never never never never never come aâgain A Song on a Ground the Words by Sir George Ethridge CEase anxious World your fruitâless Pain cease cease cease anxious World your fruitâless Pain to graâsp forâbidden Store your study'd Labours shall prove vain your Alchyâmy unâblest whilst Seeds of far more preâcious Ore are ripen'd are riâpen'd in my Breast My Breast the Forge of happiâer Love where my Luâcinâda my Luâcinâda lies and the rich Stock does so improve as she her Art emâploys that ev'âry Smile and Touch she gives turns all to Golden Joys Since then we can such Treasures raise let 's no Expence reâsuse in Love let 's lay out all our Days how can we e're be Poore How can we e're be Poore How can we e're be Poor when ev'âry Blessing that we use beâgets a thousand more When e'âry Blessing that we use beâgets a thousand more When ev'âry Blessing that we use beâgets a thousand more A Seranading SONG SYmphony for two Flutes SOâft Notes and gentâly rais'd lest some harâsh sound the fair Coârinna's Rest do rudeâly wound difâsuse a peaceâfull calmness through each Part touch all the Springs of a soâft Virgin 's Heart Tune ev'ry Pulse and kinâdle all her Blood and swell the torâment of the liâving Flood gliâde thro' her Dreams and o're her Fanâcy move and stir up stir up all the Iâmages of Love Play the Trible of the Symphony then go on Thus feâble Man does his advantage take to gain in Sleep what he must lose aâwake when Night and Shades shut up Coârinâna's Charms then then is the prop'rst time to take up Arms But Night and Shades her Beauâties can't conâceal Night has peâcuâliar Graâces to reâveal CHORUS Flute Ten thousand thousand Rapâtures de attend ten thousand thousand ten thousand thousand Raptures Ten thousand thousand Raptures do atâtend ten thousand thousand Raptures de atâtend do do attend this time too strong for Fancy too strong for Fancy and too full and too atâtend this time too strong for Fancy too strong for Fancy and too full and full too full for Rhime too strong for Fanâcy and too full for Rhime too full too full for Rhime too strong for Fanâcy and too full for Rhime SYmphony fo two FLUTES How pleaâsant is this flowâry Plain and Grove What perfect Scenes of Inânoâcence and Love As if the Gods when all things here below were curs'd reserv'd this
too willing can that Look that Face deceive Can he take deâlight in killing ah I dye Look that Face deâceive Can he take deâlight in killing ah I ah I dye I dye if you deâceive me yet I will I will yet I will dye ah I dye if you deâceive me yet I will I I will beâlieve ye ah I dye ah I dye if you deâceive me will I will beâlieve ye ah I dye I dye if you deâceive me yet I will I will yet yet I will I will yet yet I will I will beâlieve ye yet I will I will yet yet I will I will yet I will I will beâlieve ye The Thraldom the Words by Mr. Cowley I Came I saw and was undone Lightning did thro' my Bones and Marârow run a pointed Pain pierc'd deep my Heart a swift colâd tremâbling seiz'd on ev'ry part my Head turnâ'd round nor cou'd it bear the Poison thaât was entred there So a deâstroying Angel's breath bloâws in the Plague and with it hasty Death such was the pain did so beâgin to the poor wretch when Legion enter'd in forgive me God I cry'd for I flatter'd my self I was to dye but quickly to my cost I found I found 't was cruâel Love 't was cruel Love not Death had made the wound but quickly to my cost I found I found 't was cruâel Love 't was cruâel Love not Death had made the wound Death a more gen'rous rage does use Quarter to all he Conquer's doth reâfuse whilst Love with Barbarous mercy saves the vanquish'd Lives to make them slaves whilst Love with Barbarous mercy saves the vanquish'd Liâves to make them slaves I am thy slave then let me know hard Master the great task I have to doe who Pride and Scorn do unâderâgoe in Temâpests and rouâgh Seas thy Galleys row they Pant and Groan and Sigh but find their Sigâhs encrease the anâgry Wind like an Eâgyptian Tyrant some thou wea'âriest out in builâding but a Tomb others with sad and tedâ'ous Art labour i' th Quarries of a Stoâny Heart Of all the works thou dost assign to all the sev'ral Slaves of thine employ me mighâty Love to dig the Mine of all the works thou dost asâsign to all the Sev'ral Slaves of thine employ me Mighâty Love to dig the Mine A SONG in the Double-Dealer CInthia frowns when e're I Woe her yet she 's vex'd she 's vex'd if I give oâver much much she fears I shou'd I shou'd undoe her but much more but much more much moâre to lose her Lover thus thus in doubting she reâfuâses and not Winning and not Winning thus thus thus she looses And not Winning and not Winning thus thus thus thus thus thus she looses Prethee Cinthia look beâhind you prethee Cinthia look behind you Age and Wrinckles Age and Wrinckles will o'retake you then then too late too late too late then then too late Deâsire will find you when the poâw'r does forâsake you Think think oh think think think oh think oh sad conâdition to be past yet wish yet wish fruâition to be past be past yet wish wish wish fruâition yet wish wish wish fruâition An Elegy on the Death of Mr. John Playford Words by Mr. Tate GEntle Shepherds you that know the Charms of Tuneâfull Breath that Harmony in Grieâf can show Laâment Laâment for Piâous Theâron's Death Theron the good the friendâly Theron's gone Theron Theron the good the friendâly Theâ âron's gone renâding Mountains weepâing Fountains groaning Dales Soft and ecchoing Vales Loud if you want Skill will teach you how to moan to moaân renâding Mountains weepâing Fountains groaning Dales Soft and ecchoing Vales Loud if you want Skill will teach you how to moan to moaân will teach will teach you how to moan Slow Could Innocence or Piâeâty exâpiâring Life mainâtain or Art preâvail on Deâstiâny Theron still still had grac'd the Plain belov'd of Pan and dear to Phaeâbus Train Theron still had grac'd the Plain belov'd of Pan and dear to Phaeâbus Train Muses bring your Roâses hither strew them gentâly on his Hearse Muses bring your Roâses hither strew them gentâly on his Hearse and when those shortâliv'd Gloâries wither crown it with a lasting Verse crown it with a laâsting Verse and when those shortâliv'd Glories wither crown it with a lastâing Verse Roses soon will fade away Verse and Tomb must both deâcay yet Theron's Name in spight of Fate 's Decree and endâless Fame shall meet no Verse so duâraâble can be nor Roâses half so sweet nor Roâses half so sweet CHORUS Then wast no more no more then wast no more in Sighs your Breath nor think his Then wast no more no more then wast no more in Sighs your Breath nor think his Fate was hard there 's no such thing as Suddain Death to those that alâways Fate was hard there 's no such thing as Suddain Death to those that alâways are preâpar'd Prepar'd like him by Harâmoâny and Love are preâpar'd Prepar'd like him by Harâmoâny and Love to joyn at first apâproach to joyn at first approach the Saâcred Quire aâbove to to joyn at first approach at first approach the Saâcred Quire aâbove joyn at first approach to joyn at first apâproach at first approach the Saâcred Quire aâbove to joyn at first approach to joyn at first approach the Saâcred Quire aâbove A SONG in the 3d. Act of the Prophetess WHen first I saw the Briâght Aure lia's Eyes when first I saw the Briâght Aureâlia's Eyes a sudden tremâbling did my Limbs surâprize in ev'ry Vain in ev'ry Vain I felt a tinâgling tingâling smart and a coâld faintness and a coâld faintness all aârouând my Heart all aârouând my Heart But oh oh oh oh the piercing piercing pierâcing joy but oh oh oh oh the pleaâsing pleaâsing pain and oh and oh oh oh and oh âmay both ten thouâsand Years ten thouâsand Yeaârs reâmain ten thouâsand Years reâmain ten thouâsand Years reâmain A SONG in the Tempest Sung by Mis Cross DEar Dear Pritty Pritty Pritâty Youth Dear Pritty Pritty Pritâty Youth unvail unvail your Eye unvail unvail your Eye how can you can you Sleep how can you can you Sleep how can you can you Sleep when I when I am by when I when I am by Were I with you all Night to be methinks I cou'd methinks I cou'd I cou'd from Sleep be free meâthinks I cou'd methinks I cou'd from Sleep I cou'd from Sleep be free aâlass aâlass my Dear you 'r Cold Cold as Stone you must no longer no no longer no no longer no no longer longer lye aâlone but be with me my Dear my Dear Dear Dear but be with me my Dear and I in each Arm and I in each Arm will Hugg you Hugg you close will Hugg you Hugg you close Hugg you close and keep you Warm will Hugg you Hugg you close will Hugg you Hugg you close Hugg you close and keep you warm The Rich RIVAL Words out of Cowley THey say you 're angry and
rant mighâtiâly because I Love the same as you aâlas you 're veâry Rich 't is true but prethee Fool what 's that to Love and me Your Land and Money let that serve and know you 're more by that than you deâserve When next I see my Fair one she shall know how worthâless thou art of her Bed and Wretch I 'll strike thee dumb and dead with noâble Verse not unâderâstood by you while thy sole Rhet'rick shall be Joynture and Jewels and our Friends aâgree Pox of your Friends that dote and doâmiâneer Lovers are betâter Friends than they let 's those in oâther things oâbey the Fates and Stars and Gods must goâvern here Vain name of Blood in Love let none adâvise with aâny Blood but with their own 'T is that which bids me this bright Maid aâdore no oâther Thought has had acâcess did she now beg I 'd Love no less and were she an Empress I shou'd Love no more Were she as just and true to me ah simâple Soul what wou'd become of thee A SONG in King Arthur FAirest Isle of Isles Exâcelâling Seat of Pleaâsures and of Loves Veânus here will chuse her Dwelling and forâsake her Cyâprian Groves Cuâpid from his Fav'rite Nation Care and Enâvy will Remove Jeaâlouâsie that poyâsons Passion and Deâspair that dies for Love II. Gentle Murmurs sweet Complaining Sighs that blow the Fire of Love Soft Repulses kind Disdaining Shall be all the Pains you prove Every Swain shall pay his Duty Gratefull every Nymph shall prove And as these Excell in Beauty Those shall be Renown'd for Love A SONG in Bonduca Sung by Miss Cross OH Oh! lead me lead me to some peaceâfull Gloom where none but sighâing none but sighâing sighâing Loâvers come where the shrill the shrill Trumpets never souând never never sound but one Eâterânal Hush one eâterânal Hush goes round There let me sooth my pleaâsing pain there let me sooth my pleaâsing pain and never never think of War never never think of War never never think of War never never never never never never think of War aâgain what gloâry what gloâry what gloâry can can a Lover have to Conquer to Conâquer yet be still a slave what gloâry what gloâry can a Loâver have to Conquer to Conquer to Conquer yet be still still a Slave yet yet be still yet yet be still yet yet be still still a Slave Sweeter than Roses a single SONG SWeeâter then Roâses or cool cooâl Ev'ning Breeze Sweeâter then Roâses or cool cool Ev'âning Breeze on a warâm Flowâry shore was the Dear the dear the dear dear deâar Kiss First treâmâbling first treâmbling made me made me freeâze made me freeze then shot like Fire all all all all o're then shot like Fire all all all all then shot like Fire all all o're What Magick has Vicâtoârious Love what Magick has Vicâtoârious Love for all all all I touch all all all all I touch or see since that dear dear Kiss I hourly hourâly prove all all all all is Love all all all all all all is Love all all all all all is Loâve all all all all all is Loâve is Love to me SONG Sung by Jemmy Bowen at the opening the Old Play-house LUâcinâda is Beâwitchâing Fair Luâcinâda is Beâwitchâing Fair all o're aâll o're inâgaâing is her Air all o're all o're all o're inâgaâging is her Air all o're all o're inâgaâging is her Air In evâ'ry Song Luâcinâda Luâ cinda Luâcinâda 's Fam'd She is the Queeân of Love proclaim'd to all to all She does She does a Flame imâpart exâpiâring Victims exâpiâring exâpiâring Vicâtims feel her Dart Luâ c First Strain again Strephon for her has Love exâprest Phiâlanâder sighs sighs sighs too with the rest Wrack'd Wrack'd with Despair each one complains unâmoâv'd unâtouch't She all She all She all disâdains Luâ c End with the the first Strain from this mark S This was the last Song that Mr. Purcell Sett it being in his Sickness FRom Rosie Bow'rs where Sleep's the God of Love hither hither ye little waiting Cupids fly flây flây hither ye litâtle waiting Cuâpids fly teach me teach me in soft Meâlodious Songs to move with tenâder tenâder Passion my Heart 's my Heart 's darâling Joy Ah! let the Soul of Musick Tune my Voice to Win dear Strephon ah ah let the Soul of Musick Tune my Voice to Win dear Strephon dear dear dear Strephon who my Soul enâjoys Or if more inâfluâencing is to be brisk and Aiâry with a Step and a Bound and a Frisk from the Ground I will Trip like aâny Fairy As once on Iâda Dancing were three Ceâlestial Bodies with an Air and a Face and a Shape and a Grace let me Charm like Beauty's Goddess with an Air and a Face and a Shape and a Grace let me Charm like Beauty's Goddess Slow Ah! ah 't is in vain 't is all 't is all all in Vain Death and Deâspair must end the Faâtal pain cold Despair cold cold Deâspair disguis'd like Snow and Rain falls falls falls on my Breast Bleak Winds in Tempests Bloâw in Tempests Bloâw my Veins all Shiver and my Fingers Glow my Pulse beats a Dead Dead March my Pulse beaâts a Dead Dead March for lost reâpose and to a soâlid lump of Ice my poor poor fond Heart is froze Or say ye Pow'rs say say ye Pow'rs my Peace to Crown shall I shall I shall I Thaw my self or drown shall I shall I shall I Thaw my self or drown aâmongst the foaming Billows inâcreasing all with Tears I shed on Beds of Ooze and Chrystal Pillows lay down down down lay down down down my Loveâsick Head say say ye Pow'rs say say ye Pow'rs my Peace to Crown shall I shall I shall I Thaw my self or drown shall I shall I shall I Thaw my self or drown Quick No no no no no I 'le straight run Mad Mad Mad Mad Mad that soon that soon my Heart will warm when once the Sense is fled is fled Love Love has no pow'r no no no no no pow'r to Charm Love has no pow'r no no no no Love has no pow'r no no no no no no no no no pow'r to Charm Wild thro'the Woods I 'le flây Wilâd thro'the Woods I 'le flây Robes Locks shall thus thus thus thus be tore a Thousand thousand deaths I 'le dye a thousand thousand deaths I 'le dye e're thus thus in vain e're thus thus in vain thus in vain aâdore A Song on a Ground the Words by Madam Phillips H Soâliâtude my sweeâtest Choice Oh Soâliâtude Oh Soâliâtude my sweeâtest sweetest Choice Places deâvoâted to the Night reâmote from Tumult and from Noise how ye my Restâless Thoughts deâlight Oh Soâliâtude Oh Soâliâ tude my sweeâtest sweetest Choice Oh Heavens what Conâtent is mine to see those Trees which have appear'd from the Naâtiâviâty of Time and which all Aâges have reâver'd to look to day as fresh and green to look to day as fresh and
green as when their Beauty's first were seen Oh! Oh how aâgreeâaâble a Sight these hanging Mountaines do apâpear which th'un âhapâpy wou'd inâvite to fiânish all their Sorrows here when their hard their hard Fate makes them endure such Woes such Woes as onâly Death can Cure Oh! Oh how I Soâliâtude aâdore Oh! Oh how I Soâliâtude aâdore that Eâlement of noâblest Wit where I have learn'd where I have learn'd Aâpollo's Love without the pains the paiâns to study it For thy sake I in Love am grown with what thy fancy thy fancy does pursue but when I think upon my own I hate it I hate it for that reason too because it needs must hinder me from seeing from seeing and from serving thee Oh Soâliâtude Oh how I Soâliâtude Aâdore Sighs for our late Sovereign King Charles the Second IF Pray'rs and Tears the Shields the Church of England onâly bears in some great Exâigence of State cou'd those cou'd those have warded off the blows of Fate we had not fall'n we had not sunk so low under the greâvous heavy weight the pressures of this day 's saâd oâverthrow Oh! Oh! how the first amazing Blow bow'd down bow'd down each Loyal Head and as we tremâbling stood fixt like a standing Water all our Blood in ev'ry Face you might such forârows Read that what the Prophet Wish'd but cou'd not show was in our mournâfull Land made good all Eyes as Rivers swellâ'd did strangely oâverflow our weepings seem'd increas'd inâto aânoâther Flood Thus thus Uniâverâsal was our Grief and in those Agonies of our Souls we lay till the kinâd Heav'ns rollâ'd the Cloud aâway and gave us some faint some faint glim'rings of reâlief The Waters then aâbated for a while and welcome welâcome joyâs hung hovâ'ring o're our drooping Isle Oh! then Oh! then what Piâous Groans what Piâous Sighs the Church sent up beâyond the yielding Skies Lord save our King ev'ry good Subject cries whilst ev'ry broâken Hearts Alâtar and Sacrifice Lord save the King was never said with greater ferâvency than now not in the Chapel only but the Streets no sort of People cou'd you meet but did Deâvoutâly bow and as Devoutly Pray'd and yet no Pharisaick Hypocrites in corners with well guided Zeal their Orisons were made Alâbion is now become a Holy Land and wages Hoâly Warr to stay the threat'âning Hand Oh! Oh! that we might preâvail such well apâpointed Numbers never us'd to fail Oh! Oh! that we might prevail Numbers of Old by a Wise Prelate led with Arms stretch't tow'rds Heav'n took the Field no other Weapons did those Champions weild but leavy Boughs and Pray'rs no doubt we Read to those a mighty a mighty Conquerour did yeild aâlasswe'd Conquer'd too but for our former Crimes Treasons Rebellions Perjury's wich all with all the inâiâquities of the Times whole Legions doe against us rise these these are the powers that strike the Kingdom dead and now the Crown is fall'n now the Crown is fall'n from our Joâsiâah's Head A SONG in Henry the Second Sung by Mrs. Dyer IN vain in vain in vain in vaiân ' gainst Love in vaiân I strove Reason nor Honour Reason nor Honour could its forâce reâmove Tho' Honour fresh objections brought and each had wonâd'rous Sense I thought each had wonâd'rous Sense I thought Yet Love Love Love more stroâng yet Love Love Love more stroâng tho' not so wise beâlyes my Tongue in my fond my fond my foând Eyes One anâswers faintâly no no no but yes oh yes oh yes yes yes oh yes oh yes yes yes oh yes the last much louâder cry's A Two Part SONG WHen Myra Singâs when Myra Singâs When Myâra Singâs when Myra Singâs we seek thi'nâchantâing we seek th'inâchantâing Sound Sound th'inâchantâing Sound and th'inâchantâing Sound bless the Notes and bless the Notes which doe so sweetâly so sweetâly so and bless the Notes and bless the Notes that doe so sweetly so sweetly so sweetâly wound what Muâsick what Muâsick needs must sweetâly wound what Muâsick needs must dwell upâon that Tongue whose speech is Tunefull whose speech is Tunefull is dwell upâon that Tongue whose speech is Tunefull whose speech is Tuneâfull as aânoâther Song Tuneâfull as aânoâther Song Such Harmoâny such Wit such Harmoâny such Wit such Such Harmony such Wit such Harmony such Wit a Face so Fair so many so many pointed Arrows who who can Wit a Face so Fair so many so many pointâed Arrows who who can bear the slave that from her Wit or Beauâty flyes bear the slave that from her Wit or Beauâty flyes if she but if she but reach him but reach him with her Voice reach him but reach him with her Voice if she but reach him if she but reach him with her Voice he dies he dies he with her Voice he dies he dies he dies he dies he dies he dies he dies he dies he dies he dies dies he dies he dies he dies he dies he dies he dies Come let us leave the Town a two Part SONG COme come come come let us leave let us let us leave the Town Come come Come come come come let us leave let us leave the Town come come come come come come let us leave let us let us let us leave Come come come come come come come come let us leave let us let us leave the Town And in some lonely place where Crowds and Noise where Crowds and the Town And in some lonely place where Crowds where Crowds and Noise were never never never neâver known reâsoâlve Noise were never never never neâver known reâsoâlve to spend our days In Pleasant Pleasant Shaâdes in to spend our days In Pleasant Pleasant Pleasant in Pleasant Pleasant Pleasant Pleasant shades upon the Grass at Night our selves we 'll lay our days in harmless Pleasant shades upâon the Grass at Night our selves we 'll lay our sports shall pass our days in harmless Sports in harmless Sports shall pass thus days in harmless Sports shall pass our days in harmless Sports shall pass thus Time shall sliâde aâway Time shall sliâde aâway A Two Part SONG LOst is my Quiet for eâver lost is my Quiâet for eâver lost Lost is my Quiet for eâver eâver lost is my Quiet for eâver for eâver lost lost is my Quiâet for eâver eâver for eâver for eâver lost is my Quiet for eâver for eâver eâver lost is Life's hapâpiâest part lost all all all my tenâder Enâdeavours lost is Life's hapâpiâest part lost all all my tenâder Enâdeavours to touâch an inâsenâsiâble to touâch an inâsenâsiâble Heart But tho' my Deâspair is past curing but tho' my Deâspair Heart But tho' my Deâspair is past curing but my Deâspair is past curing and much undeâserv'd is my Fate I 'le show by a tho'my Deâspair is past curing and much undeserv'd is my Fate patient enâduâring my Love I 'le show by a patient enâduâring I 'le show by a patient enâduring my Love is unmov'd I 'le show by a patient
Wheel for if Gypsies don't lye I shall I shall be a Governour too e're I dye She. Ah! Collin ah Collin by all by all thy late doings I find with sorrow and trouble with sorrow and trouble the Priâde of thy mind our Sheep now at random disâorderâly run and now and now Sundays Jacket goes eâvery day on Ah! what dost thou what dost thou what dost thou mean ah what dost thou what dost thou what dost thou mean He. To make my Shoos clean and foot it and foot it to 'th Court to the King and the Queen where shewing my parts I preâserment shall win She. Fye fye fye fye fye fye fye fye fye fye 't is better 't is better for us to Plough and to Spin for as to the Court when thou happen'st to try thou 'lt find nothing got there unless thou can'st buy For Money the Devil the Devil and all 's to be found but no good Parts minded no no no no good Parts minded without the good Pound He. Why then I 'le take Arms why then I 'le take Arms I 'le take Arms and follow and follow Allarms hunt Honour that now aâdays plagueâly Charms She. And so lose a Limb by a Shot or a Blow and curse thy self afâter for leaving for leaving the Plough He. Supâpose I turn Gamester She. So Cheat and be Bang'd He. What think'st of the Road then She. The Highway to be Hang'd He. Nice Pimping howâeâver yields profit for Life I 'le help some fine Lord to aânother's fine Wife She. That 's dangerous too aâmongst the Town Crew for some of 'em will do the same thing by you and then I to Cuckold ye may be draw'n in faith Collin 't is better I sit here and Spin faith Collin 't is better I sit here and Spin. He. Will nothing prefer me what think'st of the Law She. Oh! while you live Collin keep out of that Paw He. I 'le Cant and I 'le Pray She. Ah! there 's naught got ah there 's naught got that way there 's no one minds now what those Black Cattle say let all our whole care be our Farming afâfair He. To make our Corn grow and our Apâple Trees bear 2 Voc. Ambition's Ambition's a Trade a Trade no Contentment can show so I 'le to my Distaff Ambition's Amâbition's a Trade no Contentment can show and Ambition's Ambition's a Trade a Trade a Trade no Contentment can show no no no I to my Plough Ambition's Amâbition's a Trade no Contentment can show no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no contentment can show no no no contentment can show no no no no no contentment can show no no no no no no contentment can show CHORUS Let all our whole care be our Farming affair to make our Corn grow and our Apâple Trees beare Let all our whole care be our Farming affair to make our Corn grow and our Apâple Trees bear Amâbition's Amâbition's a Trade a Trade no Contentâment can show so I 'le to my Distaff Ambâition's Amâbition's a Trade no Conâtentment can show and Amâbition's Amâbition's a Trade a Trade no Conâtentâment can show no no no I to my Plough Amâbition's Amâbition's a Trade no Conâtentment can show no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no contentment can show no no no contentment can show no no no no no contentment can show no no no no no no contentment can show Bacchus is a Pow'r divine a single SONG BAcchus is a Pow'r diâvine for He no sooner fills my Head with mighâty Wine but all my Caresresign and droop and droop then sink sink down dead Then then the pleaâsing thoughts beâgin and I in Riâches flow at least I fancy so And without thought of want I Sinâg I Sinâg stretch'd on the Earth my Head all aâround with Flowers Weavâv'd inâto a Garland Crown'd Then then I beâgin to live and scorn what all the world can show or give Let the braâve Fools that fondly think of Honour and delight to make a Noise a noise and Fiâght go seek out War whilst I seek Peace seek Peace whilst I seek Peace seek Peace and drink whilst I seek Peace whilst I seek Peace seek Peace and drink Then fill my Glass fill fill it high some perhaps think it fit to faâll and dye but when the Bottles rang'd make War with me the Fighting Fool shall see when I am sunk the diff'rence to lye dead and lye deaâd Drunk the Fighting Fool shall see when I am sunk the diff'rence to lye dead and lâye dead drunk 'T is Nature's Voice a single SONG 'T Is Nature's Voice 't is Nature's Voice thro' all the moveâing Wood of Creatures unâderâstood the Uâniâverâsal Tongue the Uâniâverâsal Tongue to none of all her nume'rous Raâce unknown from her from her it learnt the mighâty the mighâty the mighâty Art to Couârt the Ear or strike or striâke the Heart at once the Passions to express and moâve at once the Passions to exâpress to exâpress and moâve we hear and strait we grieâve or hate and strait we grieâve or hate reâjoyâce orâorâLove in unâseen Chains it does the Fanâcy binâd it does it does the Faâcy bind at once it Charâms the Sense and Capâtiâvates the Mind at once it Charâms the Sense and Capâtiâvates the Mind Ah me too many Deaths a single SONG by Mr. J. Crown AHâme Ahâme to many many deaths to many deaths decreed to many maâny deaths deâcreed My Love to War to Waâr goes ev'ry day my Love to Waâr goes ev'âry day In ev'ry Wound of his I bleed I dyâe the hour he goes aâway yet yet I wou'd yet I wou'd hate him shou'd he stay Yet yet I wou'd yet I wou'd yet I wou'd yet I wou'd hate him shou'd he stay yet yet I wou'd yet I wou'd yet I wou'd yet I wou'd hate him shou'd he stay II. Ah me to many Death 's decreed By Love or War I hourly dye When I see not my Love I bleed Yet when I have him in my Eye He kills me with excess of Joy Fly swift ye Hours a single SONG FLy swift ye Hours flây swift ye Hours make hast make hast flây make hast make hast flây flây swiâft thou laâzy laâzy laâzY Sun make hast make hast make hast and drive the teâdious Minutes on the teâdious Minutes on on Bring back my Belâviâdeâra my Belâviâdeâra to my sight bring back my Belâviâdeâra my Belâviâdeâra to my sight my Belâviâdeâra than thy self more bright make hast make hast make hast bring back my Belâviâdeâra my Belâviâdeâra toâmy sight Swifter than Time my eaâger Wiâshes moâve swifter than Time my eaâger Wiâsher moâve my eaâger Wishes move and scorn the beaâten Paths
and scorn the beaâten Paths of Vulâgar Love and scorn the beââââ Paths and scorn the beaten Paâths of Vulâgar Love and scorn the beaten paâths of Vulâgar Loâve Soft Peace is banish'd from my torâtur'd Breast soft Peace soft Peace is banish'd from my torâtur'd Breast Love robs my Days of Ease Love robs my Days of Ease my Nights of Rest Love robs my Days of Ease Love robs my Days of Ease my Nights my Nighâts of rest Yet tho'her cruâel Scorn proâvokes Deâspair yet tho' her cruâel Scorn her cruâel Scorn proâvokes Deâspair my Passion still is strong my Passion still is stroâng my Passion still is stroâng as she is fair Still must I Love still bless the pleaâsing Pain still ourt my Ruine still still court my Ruâine and emâbrace my Chain still court my Ruine still still court my Ruâine and emâbrace my Chain The STORM a single SONG BLow blow Boreas blow and let thy surâly Winds make the Bilâlows foam and roar thou can'st no Terror breed in valiant Minds but spight of thee we 'l live but spight of thee we 'l live and find a Shoar Then cheer my Hearts and be not aw'd but keeâp the Gun Room clear tho' Hell 's broke loose and the Devils roar abroad whilst we have Seaâroom here Boys never fear never never fear Hey how she tosses up how far the mounting Topâmast touch'd a Starr the Meteors blaz'd as thro' the Clouds we came and Saâlaâmander like we liâve in Flame but now now we sink now now we go down to the deepâest Shades beâlow Aâlas aâlas where are we now who who can tell sure 't is the lowâest Room of Hell or where the SeaâGods dwell With them we 'll live with them we 'll live and raign with them we 'll lauâgh and sing and drink amain with them we 'll lauâgh and sing and drink amain but see we mount see see we rise aâgain CHORUS Tho' Flaâshes of Lightning and Temâpests of Rain do fierceâly conâtend Tho' Flaâshes of Lightning and Temâpests of Rain do fierceâly conâtend which shall conquer the Maine tho' the Captain does swear inâstead of a Pray'r and the which shall conquer the Maine tho' the Captaine does swear inâstead of a Pray'r and the Seas is all Fire by the Daemons o' th' Air we 'll drink and deâfie we 'll drink and deâfie Seas is all Fire by the Daemons o' th' Air we 'll drink and deâfie we 'll the mad Spiârits that fly from the Deep to the Sky that fly flây from the drink and deâfie the mad Spiârits that fly from the Deep to the Sky that flây from the Deep to the Sky and siâng whilst loud Thunder and siâng whilst loud Thunder does Deep to the Sky and siâng whilst loud Thunâder loud Thunder does bellow for Fate will still have a kind Fate for the Brave and ne're make his Grave of a bellow for Fate will still have a kind Fate for the Brave and ne're make his Grave of a Saltâwater Wave to drown to drown no never to drown a good Fellow no neâver Saltâwater Wave to drown to drown no never to drown a good Fellow no neâver no neâver to drown a good Fellow no neâver neâver to drown â neâver to drown a good Fellow no neâver no neâver to drown No neâver no neâver to drown a good Fellow No neâver neâver to drown a good Fellow Strike the Viol touch the Lute a single SONG STrike the Viâol strike the Viâol touch touch touch touch touch touch the Lute wake the Harp wake the Harp wake the Harp Inâspiâre the Flute wake the Harp Inâspiâre the Flute Sing your Paâtroânesâse's Praise sing your Paâtroânesâse's Praise sing sing sing sing in cheerâfull and harâmoânious Lays A SONG in the Prophetess or the History of Dioclesian SInce from my Dear my Dear my Dear since from my Dear my Dear my Dear my Dear my Dear Aâstreâa's sight I was so rudeâly torn my Soul has never never never has never never never known deâlight unâless it were to mourn to mourn unâless unâless it were to mourn mourn But oh aâlas aâlas with weepâing Eyes and bleeding bleedâing Heart I lye thinking on her on her whose absence 't is that makes me wish to dye dye dye dye makes me makes me wish to dye dye dye A SONG in the Married Beau. SEE see see see where reâpenâting where reâpenâting Ceâlia lies with blushâing Cheeks with blushâing Cheeks and melâting Eyes beâmoaning beâmoaning in a mournâfull mournâfull Shade the ruins the ruins in her Heart and Fame which sinâfull sinâfull Love has made Oh! Oh! Oh! let thy Tears fair Ceâlia floâw let thy Tears faiâr Ceâlia flow for that Ceâlesâtial wondâ'rous wondâ'rous wondâ'rous dew more graâces on thee will beâflow than all all than all all than all all than all all thy Dresses and thy Arâts cou'd doe Ah! ah ah Belinda a single SONG AH ah ah ah Beâlinâda I am prest with torâment Ah! ah ah Beâlinâda I am prest with torâment not to be exâpress'd Ah! ah ah Beâlinâda I am preâst with torâment Ah! ah ah Beâlinâda I am pres'd with torâments not to be exâpress'd Peace and I are strangers grown Peace and I are strangers strangers grown I Lanâguish till my grief be known I Lanâguish till my grief be known yet wou'd not yet wou'd not wou'd not have it gueâst Peace and I are stranâgers grown Peace and I are stranâgers stranâgers grown O O let me Weep a Two Part SONG VIOLIN O o let me O O let me let me weep O O let me O O let me let me weep O O O let me for ever ever weep for eâver for eâver for eâver for eâver weep My Eyes no more no more no moâre no more no more shall welâcome sleep I 'le hide me I 'le hide me from the sight of Day and sigh sigh sigh my Soul aâway O O let me O O let me let me weep O O let me O O let me let me weep O O O let me for ever ever weep for eâver for eâver for eâver for eâver weep He 's gone he 's gone he 's gone his loss deâplore he 's gone he 's gone he 's gone his loss deplore and I shall never never never never never see him more I shall never never never see him more shall never never never see him more I shall never shall never shall never shall never see him more A Two Part SONG the Words by Mr. Henly DâVlâciâbelâla Dulciâbelâla when e're I sue for a Kiss Dulciâbelâla Dulciâ Dulâciâbelâla Dulciâbelâla â bella when e're I sue for a Kiss reâfusing the Bliss cry's no no no Dulâciâbella when e're I sue for a Kiss reâfuâsing the Bliss cry's no cry's no no no no leave me leave me leave me Aâlexâis ah what wou'd you do no no no no cry's no no no no leave me leave me Aâlexâis ah what wou'd you do ah what wou'd you ah what wou'd you what wou'd you do what wou'd you ah what wou'd
all all all the World outvies all all all all the World outvies and Pan as in Arâcaâdia reigns and Pan as in Arâcaâdia reigns where pleasure World outvies and Pan as in Arâcaâdia reigns and Pan as in Arâcaâdia reigns where pleasure World outvies and Pan as in Arâcaâdia reigns and Pan as in Arâcaâdia reigns where pleasure mixt with proâfit lyes Tho' Iason's Fleece was faâm'd was fam'd of mixt with proâfit lyes Tho' Iason's Fleece was fam'd was fam'd of mixt with proâfit lyes Tho' Iason's Fleece was faâm'd was fam'd of old the British Wool the British Wool is growing growing Gold no Mines can more no no no old the British Wool the British Wool is growing growing Gold no no no no old the British Wool the British Wool is growing growing Gold no no no no no no no no no no no no no Mines can more of Wealth supâply it keeps it no no no Mines can more no no no no Mines can more of Wealth supâply it keeps it no no no no no no no Mines can more can more of Wealth supâply it keeps it keeps the Peasant from the cold and takes and takes for Kings the Tyrian die keeps the Peasant from the cold and takes and takes for Kings the Tyrian die keeps the Peasant from the cold and takes and takes for Kings the Tyrian die A Dialogue in Oroonoko Sung by the Boy and Girl He. CEâleâmeâne pray tell me pray pray tell me Ceâleâmeâne when those pritty pritâty pritty Eyes I see when my Heart beats beats beats beats in my Breast why why it will not it will not why why it will not let me rest Why this tremâbling why this tremâbling too all o're Pains I never Pains I never never never felt beâfore And when thus I touch when thus I touch your Hand why I wish I wish I wish I was a Man She. How shou'd I know more than you Yet wou'd be a Woman too When you wash your self and play I methinks cou'd look all day Nay just now nay just now am pleas'd am pleas'd so well shou'd you shou'd you Kiss me I won't tell shou'd you shou'd you Kiss me I won't tell no no I won't tell no no I won't tell no no I won't tell shou'd you Kiss me I won't tell He. Tho' I cou'd do that all day and deâsire no betâter play Sure sure in Love there 's something more which makes Mamâma so bigg so bigg beâfore She. Once by chance I hear'd it nam'd don 't ask what don't ask what for I 'm aâsham'd Stay but till you'r past Fiâteen then ' you 'll know then then you 'll know what 't is I mean then you 'll know then then you 'll know what 't is I mean He. Howâeâver lose not preâsent Bliss but now we 're aâlone let 's Kiss but now we 're aâlone let 's Kiss let 's Kiss She. My Breasts do so heave so heave so heaâve He. My Heart does so pant pant pant She. There 's something something something more we want there 's something He. There 's something something something more we want there 's something something something more we want something something more we want Love thou can'st hear a single SONG Words by Sir Robert Howard LâOve thou can'st heaâr Love thou can'st heaâr tho' thou art blind leave my Heart free leave my Heart free oh pitâty me oh pitâty me since Cloâris is unâkind leave my Heart free oh pitâty me oh pitâty me oh âpitâty me since Cloâris is unâkind oh âpitâty me since Cloâris is unâkind She is unâconâstant she is unâconâstant she is unconâstant as she 's bright she is unâconâstant she is unâconâstant she is unâconâstant as she 's bright her smiâles on evâ'ry Shepâherd fall her Smiâles on ev'ry Shepherd fall And as the Sun and as the Sun uâses his light she vainly she vainâly Loves to shine she vainly loâves to shine on all and as the Sun and as the Sun uâses his light she vainly she vainâly loves to shine she vainly loâves to shine on all I thought her fair like new faln Snow I thought her fair like new faln Snow when whiteâness inânocence inâclos'd Like that she sulâly'd seems to shine like that she sulâly'd seems to show when to Loves melting melting heat exâpos'd like that she sulâly'd seems to show when to Loves melting melting heat exâpos'd when to Loves melâting melting heat exâpos'd Love thou c. First Strain again Brisk Time The powerfull Charâms shall now be try'd the powerfull Charâms shall now be try'd this Fuâry this Fuâry from my Breast to chase I 'le summon's scorn revenge and pride I 'le summons summons scorn revenge and pride Slow at least her Image at least her Image her Image to desace See how the fading Glories a single SONG SEE see how the faâding Gloâries of the Year put on a youthfull Smile see see how the faâding Glories of the Year put on a youthfull Smile to welcom her Spight of the DogâStar's madness her bright Eyes creâate a Spring of eâver bloomâing Joys of ever bloomâing bloomâing Joys all Nature to her Charms fresh Triâbute yields making where e're she comes Eâliâzian Fields where Roses proudly breath out all their Sweet and blush out all their Beauâty at her Feet where Nightingales their own LoveâSongs lay by and her unâiâmiâtaâble Graâces try while the more wanâton Hills and Groves reâjoyce faintly to ecâcho back her heav'nâly Voice faintâly to ecâcho back her heav'nâly Voice CHORUS But my Pains raâge but my Pains raâge the But my Pains raâge but my Pains raâge the more near Paâraâdise Pantheâa is to me a burnâing Glass of Ice Panâthea more near Paâraâdise Pantheâa is to me Panâtheâa Panâtheâa is to me a burnâing Glass of Ice is to me is to me a burnâing Glass of Ice I attempt from Love's sickness a single SONG I Attempt from Love's sickness to flây in vain since I am my self my own Feaver since I am my self my own Feaâver and Pain No more now no more now fond Heart with Pride no more swell thou can'st not raise Forces thou can'st not raise Forces enough to reâbell First Strain again For Love has more Pow'r and less Mercy than Fate to make us seek ruâin to make us seek ruâin and love those that hate End with the first Strain Here the Deities approve a single SONG HâEre the Deâiâties apâprove here here the Deâiâties approve the God of Muâsick and of Love all the Talents they have lent you all the Blessings they have sent you pleas'd to see to see what they beâstow live and thrive live and thrive so well beâlow pleas'd to see to see what they beâstow live and thrive live and thrive so well beâlow all the Talents they have lent you all the Blessings they have sent you pleas'd to see to see what they beâstow live and thrive live and thrive so well beâlow pleas'd to see to see what they beâstow live and thrive live and thrive
still make it my Endeavours to go on with so Laudable an Undertaking I might indeed make my Compliments in relation to the greatness of my Expences in being Beneficial to the Publick and Expose some People that build upon my Foundation but as I desire the Readers Candour it 's my Business to make use of it in Respect to others only I shall take notice I have more than enough Discouragement to drop the pursute of Obliging my Country since Foreigners meet with a reception that is inconsistent with the Interest of one that has the Honour to be a Native But let 'em Undersell me as long as they please and Transplant their Foreign Musick into these Climates the Judicious will be of my side when they make an Estimate of Mr. Purcell's Works which are equal to those of the Best Masters of Italy and conclude that I who have now made a compleat Collection of all his Choicest Performances deserve a better Entertainment from the Hands of the Publick than any Pretenders whatsoever H. P. On the DEATH of the late Famous Mr. HENRY PVRCELL Author of the First and Second Books of Orpheus Britannicus MAke room ye happy Natives of the Sky Room for a Soul all Love and Harmony A Soul that rose to such Perfection here It scarce will be advanc'd by being there Whether to us by Transmigration given He once was an Inhabitant of Heav'n And form'd for Musick with Diviner Fire Endu'd Compos'd for the Celestial Choir Not for the Vulgar Race of Light to hear But on High-days to glad th' Immortal Ear. So in some leisure hour was sent away Their Hour is here a Life a Thousand Years their Day Sent what th' Aetherial Musick was to show And teach the wonders of that Art below Whether this might not be the Muse appeals To his Composures where such Magick dwells As Rivals Heav'nly Skill and human Pow'r excels Vile as a Sign-post Dauber's Painting show's Compar'd with Titian's Work or Angelo's Languid and low as Modern Rhime appears When Virgil's matchless Strain has tun'd our Ears So seem to him the Masters of our Isle His Inspiration theirs but Mortal Toil They to the Ear he to the Soul does dive From Anger save and from Despair revive Not the smooth Spheres in their Eternal Rounds The work of Angels warble softer Sounds What is that Heav'n of which so much we hear The happy Region gain'd with Praise and Pray'r What but one unmolested Transport which No Notion or Idea e'er cou'd reach As it appears in Vision 't is but this To be opprest with Joy and strive with Bliss Confounded with the Rays of ceaseless day We know not what we think or see or say Endless Profusion Joy without decay So when his Harmony arrests the Far We lose all thought of what or how or where Like Love it warms like Beauty does controul Like hidden Magick seizes on the whole And while we hear the Body turns to Soul From what blest Spring did he derive the Art To sooth our Cares and thus command the Heart Time list'ning stands to hear his artful Strain And Death does at the Dying throw his shafts in vain Fast to th' Immortal part the Mortal cleaves Nor till he leave to Charm the Body leaves Less Harmony than his did raise of Old The Theban Wall and made an Age of Gold How in that Mystick order cou'd he join So different Notes make Contraries combine And out of Discord cull such Sounds Divine How did the Seeds ly quickning in his Brain How were they born without a Parent 's Pain He did but Think and Musick wou'd arise Dilating Joy as Light o'erspreads the Skies From an Immortal Source like that it came But Light we know this Wonder wants a Name What art thou From what Causes dost thou spring O Musick thou Divine Mysterious thing Let me but know and knowing give me Voice to Sing Art thou the warmth in Spring that Zephire breaths Painting the Meads and whistling thro' the Leaves The happy Season that all Grief exiles When God is Pleas'd and the Creation smiles Or ar't thou Love that Mind to Mind imparts The endless Concord of agreeing Hearts Or ar't thou Friendship yet a nobler Flame That can a dearer way make Souls the same Or ar't thou rather which dos all transcend The Centre where at last the Blest ascend The Seat where Halelujah's never end Corporeal Eyes won't let us clearly view But either thou art Heav'n or Heav'n is you And thou my Muse how e'er the Criticks blame Pleas'd with his Worth and faithful to his Fame Art Musick while y' are hallowing Purcell's Name On other Subjects you Applause might miss But Envy will it self be Charmd with this How oft has Envy at his Ayrs been found T' admire enchanted with the Blissful sound Ah! cou'd you quite forget his early Doom I wou'd not from the Rapture call you home But gently from your steepy height descend You 've prais'd the Artist and now mourn the Friend Ah most unworthy shou'd we leave unsung Such wondrous Goodness in a Life so young In spight of Practice he this Truth has shown That Harmony and Vertue shou'd be one So true to Nature and so just to Wit His Musick was the very Sense you Writ Nor were his Beauties to his Art confin'd So justly were his Soul and Body join'd You 'd think his Form the Product of his Mind A Conqu'ring sweetness in his Vizage dwelt His Eyes wou'd warm his Wit like Lightning melt But those no more must now be seen and that no more be felt Pride was the sole aversion of his Eye Himself as Humble as his Art was High Ah! let him Heav'n in Life so much ador'd Be now as universally Deplor'd The Muses Sigh'd at his approaching Doom Amaz'd and raving as their own were come Art try'd the last Efforts but cou'd not save But sleep O sleep in an unenvy'd Grave In Life and Death the noblest Fate you share Poets and Princes thy Companions are And both of 'em were thy Admirers here There rest thy Ashes but thy nobler Name Shall soar aloft and last as long as Fame Nor shall thy Worth be to our Isle confin'd But flie and leave the lagging day behind Rome that did once extend its Arms so far Y 'ave conquer'd in a nobler Art than War To its proud Sons but only Earth was giv'n But thou hast triumph'd both in Earth and Heav'n And now Farewel nor Fame nor Love nor Art Nor Tears avail we must for ever part For ever dismal Accent what alone But that can tell our Loss or reach our Moan What term of Sorrow Preference dare contend What but the tenderest dearest name of Friend Hail him ye Angels to the Elisian Shoar The noblest Freight that ever Charon bore Tho Orpheus and Amphion pass'd before His Skill as far exceeds as had his Name Been known as long he wou'd have done in Fame Tho the wide Globe for tuneful Souls you cull Hope no
pasâsing by with brighter Gloâries blest my Eye Ah! then in vain in vain said I the Fields and Flow'rs do shine Nature in this Charming Place creâaâted Pleasure in Excess but all are Poor to Cynthia's Face whose Features are Divine A SONG with a Trumpet in Dioclesion SOuând Fame thy Brazen Trumpet sound sound sound sounâd thy Brazen Trumpet sound Stand stand in the Centre stand in the Centre of the Uâniâverse and call and caâll the listning World aâround while we inâjoyâfull Notes reâherse in Artâfull Numbers in Artfull Numbers and well choâsen Verse Great Diâoclesian's Greâat Diâoâcleâsian's Glory Great Dioclesian's Greâat Diâoâcleâsian's Glory Greâat Diâoâcleâsian's Glory A DIALOGUE between Thirsis and Daphne Thirsis WHY my Daphne why complaining and my Sghs and Tears disdaining since not many hours are past when with hands lift up to Heav'n then our plighted Faith was giv'n vowing they shou'd ever last shou'd ever eâver eâver last shou'd ever eâver eâver last Daphne Oh! ingrateful sly Deceiver and I eaâsie eaâsie fond Believer to think that Man could e're be true This to Egâla was a Token witness all your Vows are broken and I poor I and I pooâr I 'm undone by you Thirsis Could that false maâlicious Creature work upâon your eaâsie Nature could she say That Gift was mine No that Garland Egâla gave me but her Arts could ne're enslave me No no my Life my All is thine my All All All my All is thine Daphne Oh! how quick my Heart is beatâing Oh! how quick how quick my Heart is beatâing ev'âry Pulse the Joy reâpeating the Joy reâpeating the Joy reâpeatâing pleas'd to find my Swain so true pleas'd to find my Swain so true Thirâsis is my onâly Treasure Thirâsis is my onâly Treasure Oh! I Love Oh! I Love beâyond all measure and wou'd quit the World for you CHORUS CHORVS Oh! how quick my Heart is beatâing Oh! how quick how quick my Oh! how quick my Heart is beatâing Oh! how quick my Heart is beatâing ev'âry Pulse the Joy reâpeating the Joy reâpeating the Heart is beating ev'âry Pulse the Joy the Joy reâpeating the Joy the Joy reâpeatâing pleas'd to find my Swain so true pleas'd to Joy reâpeatâing pleas'd to find my Nymph so true pleas'd to find to find my Swain so true Thirsis is my onâly Treasure Thirsis is my find my Nymph so true Daphne is my onâly Treasure my onâly onâly onâly Treasure Oh! I love Oh! I love beyond all measure Treasure Oh! I love Oh! I love I love beyond all measure and wou'd quit the World for you and wou'd quit the World for you A VERSE out of the late Queen's Birthday SONG ANd low a sacred Fuâry sweel'dâher breast and the whole God her lab'âring Soul posâsest to lofâty Strains to lofâty Strains her tuneâful Lyre she Strung thus thus thus thus thus the Goddess Play'd and thus she Sung To lofâty Strains to lofâty Strains her tuneful Lyre she Strung and thus thus thus the Godâdess Play'd and thus she Sung to lofâty Strains her tuneful Lyre she Strung and thus thus thus the Godâdess Play'd and thus she Sung A VERSE out of the late Queen's Birthday-SONG MAâny many many such Days may she beâhold many many Many many many such Days may she beâhold many such Days may she behold many many many many many many many such many many many such Days may she behold many many many many many many Days may she beâhold like the glaâd such may she behold like the glaâd Sun without deâcay Sun without deâcay without withâout deâcay Many many like the glaâd Sun without deâcay many such Days may she beâhold many many Many many many such Days may she beâhold many such Days may she behold many many many many many many many such many many many such Days may she behold many many many many many many Days may she beâhold like the glaâd such may she behold like the glaâd Sun without deâcay Sun withâout deâcay withâout withâout deâcay Like the glaâd Sun withâout deâcay May Time that tearâs may Time that tearâs May Time that tearâs may Time that tearâs where he lay's hold Onâly Saâlute her onâly Saâlute her where he lay's hold Onâly Saâlute her onâly saâlute her onâly Saâlute onâly Saâlute her in his way May Time that tearâs her Saâlute her in his way May Time that may Time that tearâs where heâlay's hold tearâs may Time that tearâs where he lay's hold Onâly Saâlute Onâly Saâlute her onâly Saâlute her onâly Saâlute her in his way Saâlute her onâly Saâlute her only Saâlute her Saâlute her in his way Saâluteâher in his way her in his way The EPICURE UNâderâneath this Myrtle Shade on Flow'âry Beds Suâpineâly Nâderâneath this Myrtle Shade on Flow'âry Beds Suâpineâly laid with Od'rous Oyls my Head o'erflowing and aârouând it Roses laid with Od'rous Oyls my Head o'erflowâing and aârouând it Roses growing What should I do but drink aâway what should I do but drink aâway growing What should I do but drink drink what should I do but drink drink aâway the Heat and Trouâbles of the day the Heat and drink drink drink aâway the Heat and Trouâbles of the day the Heat and Troubles of the day In this more than Kingly State Love himself shall on me wait Troubles of the day In this more than Kingly State Love himself shall on me wait Fill to me Love nay fill it up and mingled caâst cast inâto the Fill to me Love nay fill it up and mingled caâst inâto the Cup Wit and Mirth Vig'rous Health Vig'rous Health and Gay Desires The Cup and Noble Fires Vig'rous Health Vig'rous Health and Gay Desires The Wheel of Life no less will stay in a smooth than rugged Way since it Wheel of Life no less will stay in a smooâth than rugged Way since it eâqualâly doth flee let the Moâtion pleasant be let the Moâtion eâqualâly doth flee let the Moâtion pleasant be let the pleasant be let the Moâtion pleaâsant be Moâtion pleaâsant be let it pleaâsant be Solus Why do we precious Ointments show'r Nobler Wines why doâwe pour Beauteous Flow'rs why do we spread upâon the Moânuâments of the Dead Nothing they but Dust can show or Bones that haâsten to be so CHORUS CHORVS Crown me with Roâses whilst I live now now your Wine and Ointments give Crown me with Roâses whilst I live now now your Wine and Ointments give Afâter Death I nothing crave I nothing crave let me aâlive my Pleasure have Afâter Death I nothing nothing crave let me aâlive my Pleasure have all all are Stoâicks all all are Stoâicks in the Grave all all are all all are Stoicks all all are Stoicks in the Grave all all are Stoâicks in the Grave Stoicks in the Grave A SONG for Two Voices JUlia Julia your unâjust disâdain moves moâves me to comâplain Julia Julia your unjust disdain moves moâves me to comâplain you you you that Vow'd to be so true aâlas aâlas aâlas
aâlas aâyou you you that Vow'd to be so true aâlas aâlas aâlas aâlas is false and Marâri'd too cou'd I driâve those thoughts aâlas is false and Marri'd too cou'd I driâve those thoughts aâway that rack me rack me ev'âry day by your by your unâjust Inâway that rack me rack me ev'âry day by your by your unâjust Inâconâstanâcy Oh! oh how happy oh oh how happy how âconâstanâcy Oh! oh oh how happy how happy oh happy oh oh how happy how happy shou'd I be oh oh oh how happy how happy how hapâpy shou'd I be oh oh oh how happy happy happy happy happy shou'd I be Oh! oh oh how oh how happy happy happy happy happy shou'd I be Oh! oh oh how happy happy happy happy happy shou'd I be happy happy happy happy happy shou'd I be A single SONG OH fair Cedaria Oh! âfair Cedaria hide those Eyes that Hearts Enough have won for whoâsoâever sees them dieâs oh âfair Ceâdaâria hide those Eyes for whoâsoâever sees them dieâs hide those Eyes for whoâsoâever whoâsoâever sees them dieâs and cannot and cannot cannot ruine shun Such Beauty and Chaârms are seen uâniâted in your face Such Beauty and Chaârms are seen uâniâted in your face the prouâdest the prouâdest can't but own you can't but own you Queen of Beauty of Beauty Wit and Grace Such Beauty and Chaârms are seen uâniâted in your face the Proudest the Prouâdest can't but own you the Prouâdest can't but own you can't but own you Queen of Beauâty Wit and Grace The Proudest can't but own you Queeân of Beauâty Wit and Grace then piâty me then piâty me who am your Slave then piâty me then piâty piâty me who am your Slave and grant me grant me a Reâprive unâless I may your Favour have I can't I can't one moment live I can't I can't unâless I may your Favour have I can't I can't one Moâment Live A single SONG I Lov'd fair Ceâlia I Lov'd fair Ceâlia many many many years before she shewâ'd her Art âher Art Her Beauty first her Humor next by turâns her Beauty first her Humor next by turâns engag'd my Heart And when to these when to these she Friendship joyn'd her Charâms her Charâms were so intire that withâout being Dull and Blind I cou'd none else none none none none I cou'd none else no none no none no none none else adâmire A SONG on the late Queen MAy her Blest exâamâple chase Vice in troops out of the Land Flyâing from her awâfull Face like trembling Ghosts when day 's at hand May her Heâro bring us Peace won with Hoânour in the Field And our homeâbred Factions cease He still our Sword and She our Shield A single SONG LET us Dance let us Sing let us siâng whilst our Life 's in the Spring and give all and give all all all all all to the great God of Love Let us Love Let us Reâvel let us reâvel and play let us let us reâvel and play and reâjoyâce whilst we may Since old Time since old Time these deâlightâts will reâmove A DIALOGUE between Thyrsis and Iris. FAir Iâris and her Swain were in a shady Bow'r where Thyrsis long in vain had sought the hapâpy hour at length his hand advancing upon her Snowy Breast he said O kiss me lonâger and lonâger yet and lonâger if you will make me blest An eaâsy yeilding Maid by trusting is undone our Sex is oft betray'd by grantâing Love too soon if you desire to gain me your suff'rings to redress preâpare to Love me longer and lonâger yet and lonâger before you shall posâsess Thyrsis The little care you show of all my sorrows past makes Death appear too slow and Life too long to last Fair Iâris kiss me kindâly in piâty of my Fate and kindâly still and kindâly still before it be too late Iris. You fondly court your Bliss and no advances make 't is not for Maids to give but 't is for Men to take So you may kiss me kindâly and kindâly still and kindâly and I will not reâbell but do not kiss and tell but do not kiss and tell no neâver kiss and tell And may I kiss you Yes you may kiss me kindly and kindly still and kindly still and kindly and kindâly and kindly still and kindly and will you not reâbell I will not rebell Yes you may kiss me kindly still and kindly still and I will not reâbell And may I kiss you kindly and kindly still and kindly still and you will not reâbell but do not kiss and tell but do not kiss and tell no no no no no No no no no no no I 'll never kiss and tell no no I 'll no no no no no no no I 'll never never never no never never never no never kiss and tell never kiss and tell no no no no no no no no I 'll never never never I 'll never never never kiss and tell CHORVS Thus at the height we Love and live and fear not fear not to be Thus at the height we Love and live and fear not fear not to be poor We give and we give we give and we give we give and we poor We give and we give we give and we give and give till we can give no more But what to day will take aâway to give till we can give no more But what to day will take aâway to morrow to morârow will reâstore morrow to morârow will reâstore End with the first Strain A SONG on St. Cecilia's Day 1692. Flutes Violins High Countratenor Hark! hark each Tree its Hark! hark each Tree its siâlence breaks siâlence breaks Hark! hark each Tree its siâlence Hark! each Tree its siâlence breaks breaks Hark! hark each Tree its Hark! hark each Tree its siâlence siâlence breaks Hark! breaks hark hark each Tree its siâlence breaks the Box and hark each Tree its siâlence breaks the Firr to talâk to talk to talk to Box and Firr to talâk to talk to talk to talâk talk beâgin Hark! hark hark hark beâgin Hark! hark hark hark hark hark hark this in the sprightâly Viâoâlin That in the Flute distinctly diâstinctâly speaks distinctly diâstinctâly speaks That in the This in the Sprightâly Viâoâlin Flute diâstinctâly distinctâly diâstinctâly speaks This in the sprightâly Viâolin diâstinctâly speaks Instruments Rest 'T was 'T was Sympathy 't was Sympathy their list'ning Brethren drew 't was Symâpathy their Sympathy 't was Sympathy 't was Symâpaâthy their list'âning list'âning Brethren drew when to the Thracian Lyre with leaâfy wings they Brethren drew fleâw when to the Thracian Lyre when to the Thracian Lyre with leaâfy wings they When to the Thraâcian Lyre with leaâfy wings they fle fleâw with leafy wings they fl with leaâfy wings they flew when to the Thracian Lvre with leaâfy âwith leafy wings they flew when to the Thracian Lyre with leaâfy wings they fleâw with leafy wings they flew with wings they fleâw with leaâfy wings they flew with leafy wings they flew leaâfy