Selected quad for the lemma: england_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
england_n	king_n	queen_n	spain_n	7,368	5	8.4419	4	true

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A36766	De arte graphica The art of painting / by C.A. Du Fresnoy ; with remarks ; translated into English, together with an original preface containing a parallel betwixt painting and poetry, by Mr. Dryden ; as also A short account of the most eminent painters, both ancient and modern, continu'd down to the present times, according to the order of their succession, by another hand.; De arte graphica. English	Dufresnoy, Charles-Alphonse, 1611-1668.; Dryden, John, 1631-1700.; Graham, Richard, fl. 1680-1720. Short account of the most eminent painters.	1695 (1695)	Wing D2458; ESTC R18532	173,861	426

of_o vessel_n in_o use_n among_o the_o ancient_n he_o die_v about_o the_o year_n 1573._o vide_fw-la pag._n 217._o giacomo_n da_o ponte_n da_fw-mi bassano_n 1510._o so_o call_v from_o the_o place_n where_o he_o be_v bear_v in_o the_o marca_n trevisana_n anno_fw-la 1510_o be_v a_o disciple_n of_o bonifacio_n a_o note_a painter_n at_o venice_n by_o who_o assistance_n and_o his_o own_o frequent_a copy_v the_o work_n of_o titian_n and_o parmegiano_n he_o bring_v himself_o into_o a_o pleasant_a and_o most_o agreeable_a way_n of_o colour_v but_o return_v into_o the_o country_n upon_o the_o death_n of_o his_o father_n he_o apply_v himself_o whole_o to_o the_o imitation_n of_o nature_n and_o from_o his_o wife_n child_n and_o servant_n take_v the_o idea_n of_o most_o of_o his_o figure_n his_o work_n be_v very_o numerous_a all_o the_o story_n of_o the_o old_a and_o new_a testament_n have_v be_v paint_v by_o his_o hand_n beside_o a_o multitude_n of_o other_o history_n he_o be_v famous_a also_o 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stock_n of_o learning_n be_v poetical_o incline_v and_o have_v a_o peculiar_a talon_n in_o satire_n he_o die_v anno_fw-la 1598._o aet_fw-la 60._o see_v more_o of_o paulo_n pag._n 219._o gioseppe_n salviati_n a_o venetian_a painter_n be_v bear_v anno_fw-la 1535_o 1535._o and_o exchange_v the_o name_n of_o porta_n which_o belong_v to_o his_o family_n for_o that_o of_o his_o master_n francisco_n salviati_n with_o who_o he_o be_v place_v very_o young_a at_o rome_n by_o his_o uncle_n he_o spend_v the_o great_a part_n of_o his_o life_n in_o venice_n where_o he_o apply_v himself_o general_o to_o fresco_n and_o be_v oftentimes_o employ_v in_o concurrence_n with_o paul_n veronese_n and_o tintoret_n he_o be_v well_o esteem_v for_o his_o great_a skill_n both_o in_o design_n and_o colour_v be_v likewise_o well_o read_v in_o other_o art_n and_o science_n and_o particular_o so_o good_a a_o mathematician_n that_o he_o write_v several_a treatise_n very_o judicious_o on_o that_o subject_a he_o die_v 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apartment_n of_o the_o vatican_n he_o be_v full_a of_o thought_n and_o invention_n very_o quick_a and_o ready_a in_o the_o execution_n and_o famous_a also_o for_o a_o multitude_n of_o print_n etched_a by_o himself_o he_o die_v anno_fw-la 1630._o lodovico_z carracci_n the_o uncle_n of_o augustino_n and_o hannibal_n be_v bear_v at_o bologna_n anno_fw-la 1555_o 1555._o and_o under_o his_o first_o master_n prospero_n fontana_n discover_v but_o a_o indifferent_a genius_n for_o paint_v but_o however_o be_v supply_v the_o defect_n of_o nature_n and_o by_o constant_a and_o unwearied_a diligence_n in_o study_v the_o work_v of_o parmegiano_n correggio_n titian_n and_o other_o great_a man_n he_o bring_v himself_o at_o last_o to_o a_o degree_n of_o perfection_n hardly_o inferior_a to_o any_o of_o they_o he_o assist_v his_o nephew_n in_o sound_v and_o settle_v the_o famous_a academy_n of_o design_n at_o bologna_n and_o afterward_o in_o paint_v the_o palazzo_n farnese_n at_o rome_n and_o have_v survive_v they_o both_o die_v anno_fw-la 1619_o 64._o vide_fw-la pag._n 222._o agostino_n carracci_n a_o bolognese_n also_o be_v bear_v anno_fw-la 1557_o 1557._o and_o by_o the_o care_n and_o instruction_n of_o domenico_n tebaldi_n alessandro_n minganti_n and_o other_o become_v not_o only_o a_o very_a good_a designer_n and_o painter_n but_o in_o the_o art_n of_o grave_v surpass_v all_o the_o master_n in_o his_o time_n he_o have_v a_o insight_n likewise_o into_o all_o the_o part_n of_o the_o mathematics_n natural_a philosophy_n rhetoric_n music_n and_o most_o of_o the_o liberal_a art_n and_o science_n he_o be_v beside_o a_o admirable_a poet_n and_o in_o all_o other_o particular_n extreme_o well_o accomplish_v from_o bologna_n he_o go_v to_o venice_n where_o he_o contract_v a_o intimate_a friendship_n with_o paul_n veronese_n tintoret_n and_o bassan_n and_o have_v grave_v a_o considerable_a number_n of_o their_o work_n return_v home_o and_o soon_o afterward_o follow_v his_o brother_n

so_o charm_v with_o their_o art_n that_o he_o immediate_o address_v himself_o to_o the_o study_n of_o it_o and_o in_o a_o few_o year_n make_v so_o considerable_a a_o progress_n that_o in_o venice_n rome_n and_o several_a other_o part_n of_o italy_n he_o be_v cry_v up_o and_o admire_v by_o all_o the_o young_a man_n as_o the_o author_n of_o a_o new_a style_n of_o paint_v upon_o his_o first_o come_v to_o rome_n his_o necessity_n compel_v he_o to_o paint_v flower_n and_o fruit_n under_o cavalier_n gioseppino_n but_o be_v soon_o weary_a of_o that_o subject_a and_o return_v to_o his_o former_a practice_n of_o history_n with_o figure_n draw_v to_o the_o middle_n only_o he_o make_v use_v of_o a_o method_n quite_o different_a from_o the_o conduct_n of_o gioseppino_n and_o run_v into_o the_o contrary_a extreme_a follow_v the_o life_n as_o much_o too_o close_o as_o the_o other_o go_v wide_o from_o it_o he_o affect_v a_o way_n particular_a to_o himself_o of_o deep_a and_o dark_a shadow_n to_o 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brueghel_n be_v bear_v in_o brussels_n anno_fw-la 1569_o 1569._o and_o call_v fluweelen_n because_o of_o the_o velvet_n garment_n which_o he_o general_o affect_v to_o wear_v he_o begin_v his_o study_n at_o home_n under_o peter_n goe-kindt_a and_o continue_v they_o in_o italy_n with_o such_o success_n that_o of_o all_o the_o german_n dutch_a or_o flemish_a master_n elsheimer_n only_o be_v superior_a to_o he_o in_o landtschape_n and_o history_n with_o small_a figure_n he_o paint_v both_o in_o water-colour_n and_o oil_n but_o in_o the_o latter_a chief_o excel_v and_o especial_o in_o represent_v wake_n fair_n and_o other_o frolicsome_a and_o merry_a meeting_n of_o countrypeople_n his_o invention_n be_v easy_a and_o pleasant_a his_o out-line_n firm_a and_o sure_a his_o pencil_n loose_a and_o free_a and_o in_o short_a all_o his_o composition_n be_v so_o well_o manage_v that_o nature_n in_o her_o plain_a country_n dress_n be_v always_o to_o be_v see_v in_o his_o work_n he_o die_v anno_fw-la 1625._o 56._o adam_z elsheimer_n bear_v at_o frankfort_n upon_o the_o main_a anno_fw-la 1574_o 1574._o be_v at_o first_o a_o disciple_n of_o philip_n uffenbach_n a_o german_a but_o a_o ardent_a desire_n of_o improvement_n carry_v he_o to_o rome_n he_o soon_o become_v a_o most_o excellent_a artist_n in_o landtschape_n history_n and_o night-piece_n with_o little_a figure_n his_o work_n be_v very_o few_o and_o for_o the_o incredible_a pain_n and_o labour_n which_o he_o bestow_v upon_o they_o value_v at_o such_o prodigious_a rate_n that_o they_o be_v hardly_o any_o where_o to_o be_v find_v but_o in_o the_o cabinet_n of_o prince_n he_o be_v a_o person_n by_o nature_n incline_v to_o melancholy_a and_o through_o continue_a study_n and_o thoughtfulness_n be_v so_o far_o settle_v in_o that_o unhappy_a temper_n that_o neglect_v his_o own_o domestic_a concern_v debt_n come_v thick_a upon_o he_o and_o imprisonment_n follow_v which_o strike_v such_o a_o damp_n upon_o his_o spirit_n that_o though_o he_o be_v soon_o release_v yet_o he_o do_v not_o long_o survive_v it_o and_o die_v in_o the_o year_n 1610_o 36._o or_o thereabouts_o guido_n reni_fw-la be_v bear_v at_o bologna_n an._n 1575._o 1575._o and_o have_v learn_v the_o rudiment_n of_o paint_v under_o a_o flemish_a master_n be_v refine_v and_o polish_a in_o the_o school_n of_o the_o carrache_n and_o to_o what_o degree_n of_o excellence_n he_o arrive_v see_v pag._n 223._o he_o acquire_v great_a perfection_n in_o music_n by_o the_o instruction_n of_o his_o father_n a_o eminent_a professor_n of_o that_o art_n in_o his_o behaviour_n he_o be_v modest_a gentile_a and_o very_o oblige_v live_v in_o great_a splendour_n both_o at_o bologna_n and_o rome_n and_o be_v only_o unhappy_a in_o his_o immoderate_a love_n of_o game_n to_o which_o in_o his_o latter_a day_n he_o have_v abandon_v himself_o so_o entire_o that_o all_o the_o money_n which_o he_o can_v get_v by_o his_o pencil_n or_o borrow_v upon_o interest_n be_v too_o little_a to_o 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cardinal_n he_o quit_v his_o pencil_n and_o die_v soon_o after_o anno_fw-la 1622._o 46._o sir_n peter_z paul_n rubens_n bear_v at_o cologne_n anno_fw-la 1577_o 1577._o be_v the_o best_a accomplish_a of_o all_o the_o flemish_a master_n and_o will_v have_v rival_v even_o the_o most_o celebrate_a italian_n if_o his_o parent_n instead_o of_o place_v he_o under_o the_o tuition_n of_o adam_n van_fw-mi noort_n and_o octavio_n venus_n have_v breed_v he_o up_o in_o the_o roman_a and_o lombard_n school_n yet_o notwithstanding_o he_o make_v so_o good_a use_n of_o that_o little_a time_n which_o he_o spend_v in_o those_o place_n that_o perhaps_o none_o of_o his_o predecessor_n can_v boast_v a_o more_o beautiful_a colour_v a_o noble_a invention_n or_o a_o more_o luxurious_a fancy_n in_o their_o composition_n of_o which_o see_v a_o far_a account_n pag._n 225._o b●●t_v beside_o his_o talon_n in_o paint_v and_o his_o admirable_a skill_n in_o architecture_n very_o eminent_a in_o the_o several_a church_n 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